Emperor Maximilian I: Theuerdank - The first German bibliophile edition
InquiryEmperor Maximilian I: Theuerdank
The first German bibliophile edition
MAXIMILIAN I, ALSO CALLED THE “LAST KNIGHT”
Maximilian I (1459–1519) was one of the most important sovereign rulers at the turning point from the Middle Ages to modern times. He is considered a personality who strived to uphold medieval traditions while attempting to create political and economic reforms as the basis for a comprehensive centralized order His predilection for luxurious court life, hunting and tournament games earned him the byname “the last knight”. His marked need for recognition and representation is reflected in the patronage of several relevant works of art and literature, giving us an authentic image of the Emperor’s life and personality.
KNIGHT THEUERDANK`S SUCCESSFUL FORMAL VISIT TO HIS BRIDE
This epic verse is one of the earliest German autobiographic romans à clef. It describes, in allegorical form, Maximilian’s first formal visit to Mary of Burgundy, the beautiful daughter of Charles the Bold. Numerous adventures and the struggle against mysterious adversaries form the contents of this captivating work. With the help of God as well as his knightly virtues the hero finally wins the beloved bride. In this epic Maximilian wished to convey a meaningful interpretation of his own life: For this reason each chapter narrates one aspect of the “last knight’s” imaginative world, especially Maximilian’s passions for hunting and tournaments are reflected in ever-new experiences.
Faithful facsimile edition of Schönsperger’s first edition published in Augsburg 1517. 580 pages with 118 woodcut illustrations. Format: 25×35.5cm. 40-page academic commentary volume by Heinz Engels, Elisabeth Geck and H. Th. Musper.
No. 31015 Limited leather-bound edition: 250 numbered copies
No. 31016 Cloth-bound edition
Characteristics
Emperor Maximilian I: Theuerdank | |
| Creation Year | 1517 |
| Place of Origin | Augsburg |
| Signature | 580 pages |
| Miniatures | 118 woodcut illustrations |
| Genre | Bibliophile book |
| Artist/Workshop | Hans Schönsperger |
The Edition
Emperor Maximilian I: Theuerdank | |
| Format | 35,5cm x 25cm |
| Limitation | Limited Edition of 250 copies |
| Binding | |
| Commentary Volume (Language) | 40-pages by Heinz Engels, Elisabeth Geck and H.Th. Musper |
| Publisher | Müller und Schindler |
| Item Number Leather Edition | 31015 |
| Item Number Binding Edition | 31016 |
Questions and Answers
The Theuerdank is considered the “first German bibliophile book” because of its masterful woodcut illustrations by artists such as Hans Burgkmaier, Hans Leonhard Schäufelein, and Leonhard Beck. Additionally, a specially created typeface was used, establishing the reputation of this work as one of the most significant pieces of German Renaissance art.
Maximilian I earned the title “the last knight” due to his fondness for lavish court life, hunting parties, and knightly tournaments, reminiscent of the chivalric ideals of the Middle Ages. At the same time, he sought to create a modern, centralised empire through political and economic reforms.
Maximilian I’s bridal journey to Mary of Burgundy, as described in Theuerdank, is a central element of the verse epic. In allegorical form, the work recounts the adventures and struggles that Maximilian must overcome to win his bride.
Maximilian I actively promoted art and literature to reinforce his image as Emperor and “the last knight.” Through his patronage, he aimed to preserve as authentic and glorious an image of his reign as possible for posterity.
Theuerdank reflects Maximilian’s knightly ideals, especially his passion for hunting and tournaments. The work also represents his deep belief that with God's help and knightly virtues, one could triumph over adversaries.
Maximilian I implemented political and economic reforms aimed at centralising imperial power. His efforts to strengthen the empire through unified administrative structures laid the groundwork for later developments in the history of the Holy Roman Empire.
Hunting and tournaments were not just leisure activities for the nobility; they also served as displays of power and authority. They provided opportunities for political alliances, and participation allowed the nobility to showcase their status and skills.
Other autobiographical works from the Renaissance include Augustine's Confessions and Michel de Montaigne's Essays. However, these works were more philosophical or religious in nature, whereas Theuerdank is written as a knightly epic, focusing more on heroic ideals and adventures.