The Twelve Paris Sketchbooks of Leonardo Da Vinci
The Twelve Paris Sketchbooks of Leonardo da Vinci
The personal collection of ideas from the great universal genius
On the occasion of the 500th anniversary of Leonardo da Vinci’s death, Faksimile Verlag – in collaboration with Eikon Editores and the Institut de France – presents a once-in-a-lifetime edition of the 12 Paris Notebooks and their two supplement volumes (Codices Ashburnham I & II).
These notebooks, written between 1485 and 1516, contain Leonardo’s personal observations, ideas, and sketches – covering an astonishing range of subjects from art, architecture, and anatomy to mechanics, water, and the flight of birds. More than 7,200 pages from 25 codices have survived; this edition brings together 12 of them (plus the supplements), comprising 1,207 folios, faithfully reproduced in four elegant cases.
Leonardo’s writings reveal the spirit of the Renaissance: the interplay of macrocosm and microcosm, the fascination with movement, and the search for the principles of nature. His habit of writing in mirror script – partly to avoid smudging ink as a left-hander, partly to safeguard his ideas – adds another layer of intrigue to these pages.
The supplements, known as the Codices Ashburnham, have a dramatic history: Count Guglielmo Libri removed pages from manuscripts A and B in the 1840s and sold them to the British collector Bertram Ashburnham. Only in 1890 were they recovered by the Institut de France. Today, they form an integral part of this monumental facsimile edition.
Each notebook comes with an authentic leather binding, perfectly mirroring the originals. The edition is accompanied by scholarly commentary volumes in German and English, providing in-depth analysis of Leonardo’s thought and the manuscripts’ history.
The Four Series of the Facsimile Edition
This grand publishing project is divided into four series – three of which have already been released – guiding collectors step by step into the world of Leonardo:
Already published:
- First Series – Manuscript A, Supplement A (Codex Ashburnham I), Manuscript E, Manuscript M
- Second Series – Manuscript B, Supplement B (Codex Ashburnham II), Manuscript G, Manuscript L
- Third Series – Manuscript C, Manuscript F, Manuscript I
Forthcoming, end of 2026:
- Fourth Series – Manuscript D, Manuscript H, Manuscript K
Each series offers a fresh perspective on Leonardo’s oeuvre – from his early notes of the 1480s to the mature reflections of the 1510s.
“The 12 Notebooks of Leonardo da Vinci – a window into the mind of a genius centuries ahead of his time.”
Characteristics Series I
Paris Sketchbooks by Leonardo da Vinci
The Personal Collection of Ideas
from the Great Universal Genius
Facsimile Series Overview
Title
Date
Shelfmark
Size (approx.)
Pages
Manuscript A 1490 – 1492 Ms. 2172 / Ms. 2185 21 × 15 cm 66 Complemento A (Codex Ashburnham I) 1485 – 1488 Ms. 2173 21 × 16 cm 24 Manuscript E 1513 – 1515 Ms. 2177 10.0 × 14.5 cm 60 Manuscript M 1495 – 1499 Ms. 2172 10 × 7 cm (pocket format) 94 Special Features of the Facsimile Edition
- Luxurious leather binding – a protective cover faithful to the original
- Scholarly commentary – with expert notes available in German and English
- Strictly limited edition – only 990 copies worldwide
- Historically unique – personal sketches, notes, and thoughts of the Renaissance’s greatest genius
Characteristics Series II
Paris Sketchbooks by Leonardo da Vinci
The Personal Collection of Ideas
from the Great Universal Genius
Facsimile Series Overview
Title
Date
Shelfmark
Size (approx.)
Pages
Manuscript B 1485 – 1488 Ms. 2184 23.7 × 18.3 cm 100 Complemento B (Codex Ashburnham II) – Ms. 2174 21 × 15 cm 20 Manuscript G 1510 – 1516 Ms. 2179 7.4 × 10.2 cm 96 Manuscript L 1497 – 1502 Ms. 2183 7.41 × 10 cm (pocket format) 96 Special Features of the Facsimile Edition
- Luxurious leather binding – a protective cover faithful to the original
- Scholarly commentary – with expert notes available in German and English
- Strictly limited edition – only 990 copies worldwide
- Historically unique – personal sketches, notes, and thoughts of the Renaissance’s greatest genius
Characteristics Serie III
Paris Sketchbooks by Leonardo da Vinci
The Personal Collection of Ideas
from the Great Universal Genius
Facsimile Series Overview
Title
Date
Shelfmark
Size (approx.)
Pages
Manuscript D 1508 – 1509 Ms. 2176 10.3 × 5.2 cm 96 Manuscript E 1513 – 1515 Ms. 2177 10.0 × 14.5 cm 60 Manuscript H 1493 – 1494 Ms. 2180 7.4 × 10.0 cm 144 Manuscript K 1503 – 1508 Ms. 2182 7.4 × 10.1 cm 96 Special Features of the Facsimile Edition
- Luxurious leather binding – a protective cover faithful to the original
- Scholarly commentary – with expert notes available in German and English
- Strictly limited edition – only 990 copies worldwide
- Historically unique – personal sketches, notes, and thoughts of the Renaissance’s greatest genius
Questions and Answers
Leonardo was born in 1452 in Anchiano, near Vinci.
Leonardo wrote in mirror script because he was left-handed, and this technique prevented the ink from smudging. Additionally, it served to keep his ideas secret and made it more difficult for imitators to copy his thoughts.
Leonardo’s notebooks encompassed more than 7,200 pages.
Leonardo’s notebooks documented his exploration of various topics, including flying, water, anatomy, art, horses, mechanics, and geology.
Sigmund Freud described Leonardo as a person who awoke too early in the darkness, while others were still asleep.
Leonardo’s notebooks, containing an exceptional collection of thoughts and ideas, were far ahead of their time and inspired later scientists and artists. His anatomical studies contributed to the development of medical science, while his designs and technical sketches influenced engineering. In art, he set standards for detail and perspective that remain significant today.
"The 12 Notebooks of Leonardo da Vinci" can be purchased through the Universal Art Group (LINK), which offers them as part of their commitment to disseminating culturally and historically significant works.
All notebooks are preserved at the Bibliothèque de l’Institut de France, Paris, where they have been housed since the 18th century.